Bobbin lace falls naturall into two main groups; Continuous (or straight,or yardage) lace is started with x number of bobbins which continue throughout the length of the piece of lace (nermally) without additions. Sectional or non-continuous lace is made with a fewer number of bobbins and is worked a section at a time. As each motif is completed the bobbins are cut off and re-attached to work the next section. The various parts of the lace are joined together with bobbin 'sewings' as and when necessary according to the design.
In continuous the pattern elements motifs are grouped together in a decorative way and they are held together by a meshground (background) or guipure bars. It is the mesh or guipure which plays an important part of identifying a piece of lace. In sectional laces the type and arrangement of the motifs is more important but the various meshes or guipure may also be present as fillings within or between the motifs.
Point Ground Laces
Four Pairs to the Pin Laces
r1c4 | r1c5 | r1c6 | |||
Flemish c1710 with snowball and five hole grounds. width 5cm |
Valenciennes with square ground Mme Huguette Glacet width 1.5cm |
Flandern with cane ground edging width 3cm |
r2c4 | r2c5 | r2c6 |
Other Grounded Laces
Cluny edging with rolled tallies width 11.5cm |
Cluny with Venetian braid Diam 19cm |
Le Puy edging width 7.5cm |
Le Puy with plaited ground width 14cm |
BedsMaltese with rose ground filling width 7cm |
Bedfordshire with Raised petals made by Ruth Sayer |
Brussels Mixed with Point de Gaze insert width 12cm |
Honiton Guipure with needle bars and raised work width 12cm |
Honiton Guipure with plaited bars width 11cm |
Tape Laces
r1c2 | r1c3 | r1c4 | r1c5 | r1c6 | |
Katherine of Aragon lace with a single heavy gimp in each tape width 5cm |
r2c2 | r2c3 | r2c4 | r2c5 | r2c6 |