Textile Art

My first serious forrays into textile art were a foxglove picture using transfer foil inherited from a deceased member of my art group and a wall hanging depicting beach huts.

foxgloves beach huts
'Foxgloves for Ed' with transfer foil, shiny fabrics and beads. 'Beach Huts'. Cotton fabrics and a few found items with machine aplique and conventional free motion quilting.



Shortly before the first Covid-19 lockdown in 2020 I heard a talk by Kate Findlay at TACKS craft club and was very inspired by her work.
My first piece attempted during lockdown depicts a lovely flowering cherry tree which I passed each day on my one hour exercise walk.
I had the tree worked but didn't know how to finish the piecso I left it for several months. When I looked at it again I thought it looked 'empty'
but that reflects how I felt during that time of tight lockdown and so I decided that it was complete so I backed and bound it,
using leftover fabrics from the scrubs I had been making.

I have subsequently donated it to Medway Archives for their lockdown memorabilia collection.



The next piece was rather more like Kate's work as I used her 'confetti' technique although the whole piece was covered with a sheer organza
to help keep the small pieces in position.



Again inspired by Kate Findlay the next project was based on images of the Large Hadron Collider, but instead of making a six feet diameter quilt I made it into a skirt.
The off-centre design of the 12 panels was a challenge and I went rather over the top with bling!
It's cotton poplin with all sorts of appliqued fabrics including curtain samples and scraps of silk fabric from TACK's sales table,
hand and machine embroidery and acrylic gemstones.


Through late summer and autumn 2021 I followed an online course with Fibre Arts Take Two.
Making Connections - Mark, Layer and Stitch was tutored by Cas Holmes

The course started with sketchbooks - encouraging us to use them every day, and ways of making improvised sketchbooks.
I have found that I prefer these; having fewer pages than commercially made ones they are less intimidating and fill up quicker.
We thehn looked at the properties of various papers and cloth fabrics and explored different ways of making marks including
stamping, dyeing and free machine stitching. Then putting it all together with layering and applique finished with hand and machine embroidery.

This course has shown me that I am more likely to create a successful piece of work if the subject or theme relates to something that I like or have good memories of.
It has also helped me to free up and to not be afraid of making mistakes.

1Sunflowers 1
2 ''Sunflowers 2
3 ''Sunflowers 3
4 ''Sunflowers 4

The first finished pieces from this course are a set of wallhangings based on the sunflowers which grew in our garden.
Very different from Cas's work and finished with traditional quilt binding but I was pleased with them.


standing stones at Cliffe

My next successful completed piece is freer and of irregular shape. It's based on the recently erected standing stones near Eternal (Buckland) Lake at Cliffe.
Those stones are on the site of ancient sarcen stones which were removed several hundred years ago but rediscovered in the 1920s.
Like the originals the new stones are not local stone. They came from Yourkshire.


walking our path

Towards the end of the course we were invited to submit a piece for the final online exhibition/e-book based on the things that were around us during lockdown.
This is my piece. It includes the cherry tree from the earlier work, an old corrugated iron barn covered in vegetation, tangled scrubby hedges and the rushes and reeds of the marshland.